
I photograph people who are certain they photograph badly.
That belief nearly always comes from the same place: every picture you have of yourself was taken by someone who wasn't paying attention. A phone at a party. A group shot where you blinked. A work headshot done in eleven minutes against a grey wall.
A session is the opposite of that. We take our time. Nobody is waiting on us. I talk while I work, and about twenty minutes in you stop performing and just exist for a while — that is when the good frames happen, and it happens to everyone.
I shoot in available light wherever possible, mostly at 85mm, mostly close. I edit each frame by hand and hand back a small, finished set rather than a folder of hundreds.
Because right now the portfolio matters more to me than a fee. Building a real body of portrait work takes a range of faces, and charging would narrow who shows up. So the trade is simple and honest: you get a real session and a finished, curated set of photographs; I get to make work I'm proud of and show it. I take a limited number of sessions each month so every one gets full attention. If this arrangement ever stops making sense, I'll start charging — and you'll have gotten in early.
Taking four sessions this month
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